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Java Document Element - HISTORY OF PAINTING: INTRODUCTION
جمعه 11 فروردین 1396  01:46 ب.ظ
توسط: Dawn Anderson





HISTORY OF PAINTING: INTRODUCTION

by Dionysios Preben

->>>DOWNLOAD BOOK HISTORY OF PAINTING: INTRODUCTION


And in
this very feature he was one of the first men in Renaissance Italy to
paint a picture for the purpose of weaving a scheme of lights and
darks through a tapestry of rich colors. That is art for art's sake,
and that, as will be seen further on, was the picture motive of the
great Venetians.




















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Between 1500 and about 1450 bc, however, there flourished the Marine style, possibly the most successful of all Minoan pottery stylesThe royal personages are outfitted in elegant clothes and fine jewels, but in some of their faces all that is reflected is vanity and greed.A good example is the early neolithic town of Catal Huyuk, from about 6000 BCAnthonyMicon was another celebrated wall painter; both he and Polygnotus worked in Athens and DelphiThis allowed the red beneath to show through.The red-figured style eventually replaced the black

Unlike music and dance, however, examples of early forms of painting have survived to the present dayIn his mature paintings he sacrificed details to the sweeping effect of the whole painting, as in the Pesaro MadonnaThe jewelry on the figures glitters, and the brilliantly colored court dresses are set against a shining gold backgroundOne important reason for the so-called revolution in the arts at this time was the invention of the camera, which forced artists to re-examine the purpose of painting.A more important development resulted partly from the widespread use of manufactured paintsAny text you add should be original, not copied from other sources

For that he must pass from representing a single figure to several together; history and myth must be depicted; great events must be represented as by historians, or like the poets, subjects that will please, and climbing still higher, he must have the skill to cover under the veil of myth the virtues of great men in allegories, and the mysteries they reveal"Because of the potential for confusion modern academic writing tends to avoid the phrase "historical painting", talking instead of "historical subject matter" in history painting, but where the phrase is still used in contemporary scholarship it will normally mean the painting of subjects from history, very often in the 19th century.[11] "Historical painting" may also be used, especially in discussion of painting techniques in conservation studies, to mean "old", as opposed to modern or recent painting.[12]The word, derived from the Greek photos (light) and graphein (to draw),Early commercial paints were inferior to handmade paintsFew of these styles include human or animal figures and, despite their undoubted charm, these vases are the products of craft traditions that have little to do with large-scale art.Aegean and eastern Mediterranean Metal AgeIn Greece and the Aegean, influence from the adjacent areas of western Asia helped promote the rise of small towns by about 3000 bcThis kind of painting was later called fresco, an Italian word meaning "fresh" or "new." The Cretans liked bright yellow, red, blue, and green.Greek and Roman Classical Painting (1100 B.C.-A.DHe had a remarkable gift for capturing human emotionsBut the most numerous and the most sophisticated of prehistoric paintings are on the walls of caves in southwest France and northern SpainAs a young adult he went to Venice to studyThese people produced an art that has a strong emphasis on pattern

Clouds drift over meadows dappled with patches of sunlightThey were painted by Greeks or artists working under intense Greek influenceGreat palaces arose on the Greek mainland and Crete and even on some of the lesser islandsHis career, in fact, spans the division between the two periodsThere were undoubtedly frescoes in these large buildings before 1600 bc, but little survived the disastrous earthquake of about 1700 bc, and once again it is the pottery that gives the best idea of contemporary aestheticsAlthough a simple silhouette technique for the most part replaced the outline and shading techniques of the Paleolithic style, facility of brushwork and accuracy of observation continued to imbue the new creations with a vivacity and sense of movement similar to those of their predecessors 2ffeafca65

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